外国语文

2019, v.35;No.191(05) 55-60

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从观念形态到社会结构——《郊区佛陀》中的阶级表征及其文化意涵
Class Representation and Its Cultural Implication in The Buddha of Suburbia

李亚飞;
LI Yafei;

摘要(Abstract):

《郊区佛陀》书写的历史背景为20世纪70年代,恰逢英国社会文化的深度裂变:流行文化、左翼思潮、青年亚文化等战后文化思潮弥漫彼时的英国社会。当时英国青年群体的观念形态,充盈着反叛精神和激进主义,成为促成英国社会阶级结构颤动的重要推手。此外,盛行其时的左翼思潮极力倡导关注族裔和阶级问题,对弱势群体的生存境况和日常生活充满兴趣,这在客观上为少数族裔底层青年提供了契机,他们借此获得从事左翼剧团表演和玩弄流行音乐的机会,并以此取得对英国社会文化的批判和言说权力,进而在英国文化中开始融入少数族裔的声音和观点。
The Buddha of Suburbia is written in the context of the 1970 s Britain. During this period, The British culture was experiencing profound transformations: the whole British society was permeated with postwar cultural thoughts coming from popular culture, left-wing thought, and youth sub-culture. Rebellious spirit and radicalism were extremely popular among British youth, which catalyzed the class mobility in British society. In addition, left-wing thought was in mode during that time, and it cares about ethnic and class issues, showing great interest to the living condition and everyday life of the underprivileged people. This provides the ethnic lower middle class young people with an opportunity, by which they can work in the left-wing cinema. Accordingly, they gain the power to criticize British socio-cultural conditions so as to articulate their ethnic voices and viewpoints.

关键词(KeyWords): 《郊区佛陀》;阶级;流行文化;族裔经验
The Buddha of Suburbia;class;popular culture;ethnic experiences

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基金项目(Foundation): 国家社会科学基金重大项目“马克思主义与世界文学研究”(14ZDB082)的阶段性成果

作者(Author): 李亚飞;
LI Yafei;

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